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Susana Onega is Emeritus Professor of English Literature at the Department of English and German Studies of Zaragoza University. She is a coopted member of the Academia Europaea (AE) since 2008, the former President of the Spanish Association for Anglo-American Studies (AEDEAN), the former Spanish Board member of the European Society for the Study of English (ESSE), and the former Head of a competitive research team working on Contemporary Narratives in English. She was granted the title of Honorary Research Fellow at Birkbeck College (Univ. of London) in 1996. Onega has written numerous book chapters and articles (in Anglia, Anglistik, Atlantis, Connotations, Journal of Literary Theory, Symbolism, European Journal of English Studies, Miscelánea, Recherches anglaises et nord-américaines, The European Review, Twentieth-century Literature, The European Legacy), on the work of contemporary writers (such as Peter Ackroyd, A. S. Byatt, J. M. Coetzee, Eva Figes, Anne Michaels, David Mitchell, Bharati Mukherjee, Charles Palliser, Graham Swift, W. G. Sebald, Sarah Waters and Jeanette Winterson), on narrative theory, and on ethics and trauma, among others. She is the author of a monograph in Spanish on William Faulkner’s The Sound and the Fury (Pórtico 1979), and of Form and Meaning in the Novels of John Fowles (U.M.I. Research Press 1989); Peter Ackroyd. The Writer and His Work (Northcote House and the British Council 1998); Metafiction and Myth in the Novels of Peter Ackroyd (Camden House 1999); and Jeanette Winterson (Manchester UP 2006). She has edited and translated John Fowles’ The Collector into Spanish (Cátedra 2000); has edited “Telling Histories”: Narrativizing History: Historicizing Literature (Rodopi 1995); and has coedited, with José Ángel García Landa, Narratology: An Introduction (Longman, 1996); with John A Stotesbury, London in Literature: Visionary Mappings of the Metropolis (Carl Winter 2002); with Christian Gutleben, Refracting the Canon in Contemporary Literature and Film (Rodopi 2004); with Annette Gomis, George Orwell: A Centenary Celebration (Carl Winter 2005); with Constanza del Rio and Maite Escudero-Alías, Traumatic Memory and the Ethical, Political and Transhistorical Functions of Literature (Palgrave 2017); and with Jean-Michel Ganteau, The Ethical Component in Experimental British Fiction since the 1960s (Cambridge Scholars Publishing, 2007), Ethics and Trauma in Contemporary Narrative in English (Rodopi, 2011), Trauma and Romance in Contemporary British Fiction (Routledge 2013); Liminality and The Ethics of Form in Contemporary Trauma Narratives (Routledge 2014), Victimhood and Vulnerability in Twenty-first Century Fiction (Routledge 2017), The Wounded Hero in Contemporary Fiction: A Paradoxical Quest (Routledge 2018), and Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm (Routledge 2020).
Artículos
- Onega, Susana. Imagining the blitz and its aftermath: the narrative performance of trauma in Sarah Waters’s the night watch. HUMANITIES. 2022. DOI: 10.3390/h11020057
- Onega, S. The social importance of how bodies inhabit spaces with others: a queer reading of Sarah Waters’s the paying guests. EUROPEAN LEGACY. 2021. DOI: 10.1080/10848770.2021.1878635
- Onega Jaén, Susana. The symbolization of the female body in western culture from ancient greece to the transmodern period. SYMBOLISM (NEW YORK, N.Y.). 2020. DOI: 10.1515/9783110716962-005
- Onega, S. Michael Richardson. Gestures of Testimony: Torture, Trauma, and Affect in Literature. New York/London: Bloomsbury Academic Press, 2016, 232 pp. ANGLIA. 2018. DOI: 10.1515/ang-2018-0023
- Onega, Susana. Review of Michael Richardson. gestures of testimony: torture, trauma, and affect in literature. New York, London, Oxford, New Delhi, Sydney: Bloomsbury, 2016. ORBIS LITTERARUM. 2018. DOI: 10.1111/oli.12165
- Onega Jaén, Susana. “In Blake’s Shadow": the visionary element in the fiction of Peter Ackroyd and Jeanette Winterson. ATILIM SOSYAL BILIMER DERGISI. 2017
- Onega, S. Thinking English Literature and Criticism under the Transmodern Paradigm. COUNTERTEXT. 2017. DOI: 10.3366/count.2017.0103
- Onega, Susana. Pornography and the Crossing of Class, Gender and Moral Boundaries in Sarah Waters’ Fingersmith. ETUDES BRITANNIQUES CONTEMPORAINES. 2015
- Onega Jaén, Susana. Review of Margrét Gunnarsdóttir Champion and Irina Rasmussen Goloubeva, eds. Ethics and Poetics: Ethical Recognitions and Social Reconfigurations in Modern Narratives. Cambridge Scholars Publishing: New Castle upon Tyne, 2014. ANGLISTIK (HEIDELBERG). 2015
- Onega, Susana. Review of The Making of London: London in Contemporary Literature. By Sebastian Groes with photographs by Sarah Baxter (Houndmills, Basingstoke: Palgrave Macmillan, 2011. EUROPEAN LEGACY. 2014. DOI: 10.1080/10848770.2014.898955
- Onega, S. The notion of paradigm shift and the roles of science and literature in the interpretation of reality. EUROPEAN REVIEW. 2014. DOI: 10.1017/S1062798714000295
- Onega Jaén, Susana. Affective knowledge, self-awareness and the function of myth in the representation and transmission of trauma. The case of Eva Figes’ Konek Landing. JOURNAL OF LITERARY THEORY. 2012
- Onega, Susana. Escocia es un estado mental”. Recensión de El otro McCoy, by Brian McCabe. Trans. Intro. and Notes by Jessica Aliaga Lavrijsen. Zaragoza: Jekyll & Jill editores, 2012. TURIA (TERUEL). 2012
- Onega, Susana. Writing and Creation in Jeanette Winterson’s Boating for Beginners. PAPELES DE POBLACION. 2006
- Onega, Susana. Intertextuality. MALAYSIAN JOURNAL OF LIBRARY & INFORMATION SCIENCE. 2005
- Onega, Susana. Science, Myth and the Quest for Unity in Jeanette Winterson’s Gut Symmetries. SOCIAL SCIENCE JAPAN JOURNAL. 2004
- Onega, Susana. Review of John Peck and Martin Coyle, A Brief History of English Literature, Houndmills, Basingstoke, Hampshire and New York: Palgrave (2002). ANGLISTIK (HEIDELBERG). 2004
- Onega, Susana. John Peck and Martin Coyle, A Brief History of English Literature, Houndmills, Basingstoke, Hampshire and New York: Palgrave, 2002 [Reseña]. SOCIAL SCIENCE JAPAN JOURNAL. 2004
- Onega, Susana. Camusian Existentialism and the Question of Evil in the Early Fiction of John Fowles. CONVERGENCIA REVISTA DE CIENCIAS SOCIALES. 2004
- Onega, Susana. Jeanette Winterson’s Visionary Fictions: An Art of Cultural Translation and Effrontery. GESTION Y POLITICA PUBLICA. 2004
- Onega, Susana. Recensión de María José Chivite de León, El siglo XVIII inglés en segundo grado, según John Fowles: las estrategias transtextuales en A Maggot”. Colección Estudios y Ensayos: Filología, 10. La Laguna: Servicio de Publicaciones de la Universidad (2001). ATLANTIS-JOURNAL OF THE SPANISH ASSOCIATION OF ANGLO-AMERICAN STUDIES. 2003
- Onega, Susana. 'All human beings should behave as if they are mysteries to themselves': John Fowles in Interview with Susana Onega. SOCIAL SCIENCE JAPAN JOURNAL. 2002
- Onega, Susana (ed.). John Fowles in Focus. SOCIAL SCIENCE JAPAN JOURNAL. 2002
- Onega, Susana. The Visionary Element in the London Novel: The Case of Iain Sinclair and Peter Ackroyd. MALAYSIAN JOURNAL OF LIBRARY & INFORMATION SCIENCE. 2002
- Onega, Susana. Review of European English Studies: Contributions Towards the History of a Discipline”. Balz Engler and Renate Haas, eds., (2000). REVISTA CANARIA DE ESTUDIOS INGLESES. 2002
- Onega, Susana. Review of A History of English Literature. by Michael Alexander. BULLETIN (INTERNATIONAL ASSOCIATION OF UNIVERSITY PROFESSORS OF ENGLISH). 2000
- Onega, Susana. Ese inasimilable e irreducible yo. IMPRESIONES : REVISTA DEL BRITISH COUNCIL EN ESPAÑA. 1997
- Onega, Susana. Textual Selves, Worlds and the Treacherous Nature of Writing: A Misreading of Charles Palliser’s Betrayals. TIJDSCHRIFT VOOR COMMUNICATIEWETENSCHAP. 1997
- Onega, Susana. The Mythical Impulse in British Historiographic Metafiction. EUROPEAN JOURNAL OF ENGLISH STUDIES. 1997
- Onega, Susana. Textual Selves, Worlds and the Treacherous Nature of Writing: A Misreading of Charles Palliser’s Betrayals. TIJDSCHRIFT VOOR COMMUNICATIEWETENSCHAP. 1997
- Onega, Susana. Self, World, and Art in the Fiction of Johm Fowles. TWENTIETH CENTURY LITERATURE. 1996
- Onega, Susana. An Interview with Peter Ackroyd. TWENTIETH CENTURY LITERATURE. 1996
- Onega, Susana. Self, Text and World in British Historiographic Metafiction. SOCIAL SCIENCE JAPAN JOURNAL. 1995
- Onega, Susana. Palimpsestos transcendentes: las metaficciones historiográficas de Peter Ackroyd. EUROPEAN REVIEW OF ECONOMIC HISTORY. 1995
- Onega, Susana. "El Yo" y "el Otro" en "The Passion", de Jeanette Winterson = 'Self’ and ‘Other’ in Jeanette Winterson’s The Passion. REVISTA CANARIA DE ESTUDIOS INGLESES. 1994
- Onega, Susana. The Ebony Tower: Text and Intertexts. MISCELÁNEA (ZARAGOZA). 1994
- Onega Jaén, S. "Palimpsestos transcendentes: las metaficciones historiográficas de Peter Ackroyd". EUROPEAN REVIEW OF ECONOMIC HISTORY. 1994
- Onega , Susana. "The Passion": el extraordinario espejo de tinta de Jeannette Winterson = The Passion: Jeanette Winterson’s Uncanny Mirror of Ink. MISCELÁNEA (ZARAGOZA). 1993
- Onega, Susana. The Symbol Made Text: Charles Palliser’s Postmodernist Rewriting of Dickens in The Quincunx. REVISTA ALICANTINA DE ESTUDIOS INGLESES. 1993
- Onega Jaén, S. An Obsessive Writer's Formula: Subtly Vivid, Enigmatically Engaging, Disturbingly Funny and Cruel: An Interview with Charles Palliser. ATLANTIS-JOURNAL OF THE SPANISH ASSOCIATION OF ANGLO-AMERICAN STUDIES. 1993
- Onega Jaén, S. La novela postmodernista en Inglaterra: una nueva forma para el género. EUROPEAN REVIEW OF ECONOMIC HISTORY. 1992
- Onega, Susana. Text — Culture — Reception: Cross Cultural Aspects of English Studies. Rüdiger Ahrens and Heinz Antor, eds.”. MISCELÁNEA (ZARAGOZA). 1992
- Onega Jaén, S. Pattern and Magic in Hawksmoor. ATLANTIS-JOURNAL OF THE SPANISH ASSOCIATION OF ANGLO-AMERICAN STUDIES. 1990
- Onega, Susana. Fowles on Fowles: An Interview. REVISTA CANARIA DE ESTUDIOS INGLESES. 1988
- Onega Jaén, S. Form and meaning in "The French Lieutenant's Woman". REVISTA CANARIA DE ESTUDIOS INGLESES. 1987
- Onega Jaén, S. Form and meaning in The Collector. MISCELÁNEA (ZARAGOZA). 1987
- Onega Jaén, S. Form and meaning in The Magus. MISCELÁNEA (ZARAGOZA). 1986
- Onega Jaén, S. Constantes temáticas en The Rainbow. MISCELÁNEA (ZARAGOZA). 1985
- Onega Jaén, S. Temática y caracterización en Hard Times. MISCELÁNEA (ZARAGOZA). 1985
- Onega Jaén, Susana. A Theory of Narrative, de Frank K. Stanzel. ATLANTIS-JOURNAL OF THE SPANISH ASSOCIATION OF ANGLO-AMERICAN STUDIES. 1985
- Onega Jaén, S. Nineteen-eighty-four y la satira. MISCELÁNEA (ZARAGOZA). 1984
- Onega Jaén, Susana. Amor y muerte en "The Wessex Tales" de Thomas Hardy. SUVREMENA PSIHOLOGIJA. 1983
- Onega Jaén, S. Thomas Hardy: Jude the Obscure. MISCELÁNEA (ZARAGOZA). 1983
- Onega Jaén, Susana. A Preface to Donne de James Winny. ATLANTIS-JOURNAL OF THE SPANISH ASSOCIATION OF ANGLO-AMERICAN STUDIES. 1982
- Onega, Susana. Elementos de la técnica narrativa de Under the Volcano. MISCELÁNEA (ZARAGOZA). 1982
- Onega Jaén, Susana. Analisis del 'Short Story' De Stephen Crane: "The Upturned Face. ZBORNIK RADOVA EKONOMSKOG FAKULTETA U RIJECI-PROCEEDINGS OF RIJEKA FACULTYOF ECONOMICS. 1981
- Onega Jaén, S. Romeo and Juliet y "The Problem Comedies". CUADERNOS DE INVESTIGACIÓN FILOLÓGICA. 1981
- Onega Jaén, Susana. Evolución literaria de un personaje histórico: El soldado español del Renacimiento. MISCELÁNEA (ZARAGOZA). 1980
Libros
- The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction. Onega Jaén, Susana. 2023
- edited by Susana Onega and Jean-Michel Ganteau. Transcending the postmodern: the singular response of literature to the transmodern paradigm. 2020
- The Wounded Hero in Contemporary Fiction: A Paradoxical Quest. Onega Jaén, Susana: Ganteau, Jean-Michel. 2018
- edited by Susana Onega and Jean-Michel Ganteau. The wounded hero in contemporary fiction : a paradoxical quest. 2018
- edited by Jean-Michel Ganteau and Susana Onega. Victimhood and vulnerability in 21st century fiction. 2017
- Susana Onega, Constanza del Río, Maite Escudero-Alías. Traumatic memory and the ethical, political and transhistorical functions of literature. 2017
- edited by Susana Onega and Jean-Michel Ganteau. Contemporary trauma narratives: liminality and the ethics of form. 2014
- edited by Jean-Michel Ganteau and Susana Onega. Trauma and romance in contemporary British literature. 2013
- edited by Susana Onega and Jean-Michel Ganteau. Ethics and trauma in contemporary British fiction. 2011
- edited by Susana Onega and Jean-Michel Ganteau. The ethical component in experimental British fiction since the 1960s. 2007
- Susana Onega. Jeanette Winterson. 2006
- edited by Annette Gomis, Susana Onega. George Orwell: a centenary celebration. 2005
- edited by Susana Onega and Christian Gutleben. Refracting the Canon in Contemporary British Literature and Film. 2004
- edited by Susana Onega, John A. Stotesbury. London in literature: visionary mappings of the metropolis. 2002
- John Fowles ; edición [y] traducción de Susana Onega. El coleccionista. 1999
- Susana Onega. Metafiction and myth in the novels of Peter Ackroyd. 1999
- Susana Onega. Peter Ackroyd. 1998
- edited and introducted by Susana Onega and José Angel García Landa. Narratology: an introduction. 1996
- edited by Susana Onega. Telling history: Narrativizing history, historicizing literature. 1995
- [elogio al doctorando, Susana Onega Jaén, Carmen Olivares Rivera, Ricardo Lozano Mantecón]. Ceremonial para la investidura como doctor "Honoris Causa" por la Universidad de Zaragoza de los profesores J. Hillis Miller, Jacob L. Mey, Konrad Messmer: 8 de Noviembre de 1993. 1993
- Susana Onega, ed. [editor general, J.L. Caramés Lage]. Estudios literarios ingleses /Renacimiento y Barroco. 1986
- Susana Onega Jaén. Personajes aragoneses en Shakespeare. 1980
- Susana Onega Jaén. Análisis estructural, método narrativo y sentido de "The sound and the fury" de William Faulkner. 1979
- Susana Onega Jaén. Tipos y tópicos españoles en la literatura inglesa de la segunda mitad del siglo XVI. 1978
- Traumatic Memory and the Ethical, Political and Transhistorical Functions of Literature. Onega, Susana; del Río, Constanza; Escudero Alías, Maite.
Capítulos
- Introduction: The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction. Jean-Michel Ganteau y Onega Jaén, Susana. THE POETICS AND ETHICS OF (UN-)GRIEVABILITY IN CONTEMPORARY ANGLOPHONE FICTION. 2023
- Mapping Contemporary Hell: Vulnerability, Social Invisibility and, Spectral Mourning in Jon McGregor’s Even the Dogs (2010). Onega Jaén, Susana. REPRESENTING VULNERABILITIES IN CONTEMPORARY LITERATURE. 2023
- Trading Relations, the Evil of Cruelty and the Ungrievability of the Other in David Mitchell’s The One Thousand Autumns of Jacob de Zoet. Onega Jaén, Susana. THE POETICS AND ETHICS OF (UN-)GRIEVABILITY IN CONTEMPORARY ANGLOPHONE FICTION. 2023
- Susana Onega. Mapping Contemporary Hell : Vulnerability, Social Invisibility, and Spectral Mourning in Jon McGregor's Even the Dogs (2010). REPRESENTING VULNERABILITIES IN CONTEMPORARY LITERATURE. 2023
- Victimhood. Onega Jaén, Susana. THE ROUTLEDGE COMPANION TO LITERATURE AND TRAUMA. 2021
- Vulnerability, Empathy and the Ethics of Survival in Graham Swift’s Wish You Were Here. Onega Jaén, Susana. THE ETHICS OF SURVIVAL IN CONTEMPORARY LITERATURE AND CULTURE. 2021
- Susana Onega Jaén. Vulnerability, Empathy and the Ethics of Survival in Graham "Swift's Wish You Were Here". THE ETHICS OF SURVIVAL IN CONTEMPORARY LITERATURE AND CULTURE. 2021
- Susana Onega. The paradoxical anti-humanism of Tom McCarthy's C: traumatic secrets and the waning of affects in the technological society. TRANSHUMANISM AND POSTHUMANISM IN TWENTY-FIRST CENTURY NARRATIVE. 2021
- Jeanette Winterson. Onega Jaén, Susana. THE WILEY-BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE. 2020
- The Role of Symbolisation in the Shaping of Reality and Identity: Tales of Woundedness and Healing. Onega Jaén, Susana. HUMAN DIVERSITY IN CONTEXT. 2020
- “Generic Hybridity and the Function of Fairy Tales in the Configuration of the Deterritorialised Subject in Eva Figes’s Tales of Innocence and Experience”. Onega Jaén, Susana. LITERATURES IN ENGLISH: TRANSCENDING BOUNDARIES: MIGRATIONS, DISLOCATIONS, AND LITERARY TRANSFORMATIONS. 2020
- Susana Onega and Jean-Michel Ganteau. Introduction: Transcending the postmodern. TRANSCENDING THE POSTMODERN: THE SINGULAR RESPONSE OF LITERATURE TO THE TRANSMODERN PARADIGM. 2020
- Susana Onega. The Transmodern Poetics of David Mitchell's Cloud Atlas: Generic Hybridity, Narrative Embedding and Transindividuality. TRANSCENDING THE POSTMODERN: THE SINGULAR RESPONSE OF LITERATURE TO THE TRANSMODERN PARADIGM. 2020
- “Embodied Monstrosity and Identitarian Fluidity in Jeanette Winterson’s Novels of the 1980s”. Onega Jaén, Susana. LAW AND THE HUMANITIES: CULTURAL PERSPECTIVES. 2019
- “Patriarchal Law and the Ethics and Aesthetics of Monstrosity in Mary Shelley’s Frankenstein”. Onega Jaén, Susana. MONSTERS AND MONSTROSITY: FROM THE CANON TO THE ANTI-CANON. LITERARY AND JURIDICAL SUBVERSIONS. 2019
- Susana Onega. Oulipian games, transpersonality, and the logic of potentiality in Dacid Mitchells Ghostwritten. TRANSMODERN PERSPECTIVES ON CONTEMPORARY LITERATURES IN ENGLISH. 2019
- (De)Constructing Gendered and Sexual Identities in the 21st Century: Fluid Selves and Multiple Worlds in Jeanette Winterson’s The.PowerBook (2000) and Lighthousekeeping (2004). Onega, Susana. THE BRITISH NOVEL IN THE 21ST CENTURY: CULTURAL CONCERNS – LITERARY DEVELOPMENTS – MODEL INTERPRETATIONS. 2018
- Introduction. Ganteau, Jean-Michel; Onega, Susana. THE WOUNDED HERO IN CONTEMPORARY FICTION: A PARADOXICAL QUEST. 2018
- Learning to Love: The Paradoxical Life Quests of the Male Protagonists in Jeanette Winterson’s The Gap of Time. Onega, Susana. THE WOUNDED HERO IN CONTEMPORARY FICTION: A PARADOXICAL QUEST. 2018
- Conclusion. del Río, Constanza; Onega, Susana; Escudero Alías, Maite. TRAUMATIC MEMORY AND THE ETHICAL, POLITICAL AND TRANSHISTORICAL FUNCTIONS OF LITERATURE. 2017
- Introduction. Onega, Susana; del Río, Constanza; Escudero Alías, Maite. TRAUMATIC MEMORY AND THE ETHICAL, POLITICAL AND TRANSHISTORICAL FUNCTIONS OF LITERATURE. 2017
- Narrative Form, Memory Frictions and the Revelation of Traumatic Secrets in Toni Morrison’s Home. Onega, Susana. MEMORY FRICTIONS IN CONTEMPORARY LITERATURE. 2017
- Sarah Waters: Representing Marginal Groups and Individuals. Onega, Susana. THE CONTEMPORARY BRITISH NOVEL SINCE 2000. 2017
- Traumatic Memory, Shame and the Function of Art in the Representation of the Shoah. Onega, Susana. EXPLORING TEXTS, MEDIA AND MEMORY. 2017
- “Class Trauma, Shame and Spectrality in Sarah Waters’s The Little Stranger”. Onega, Susana. TRAUMATIC MEMORY AND THE ETHICAL, POLITICAL AND TRANSHISTORICAL FUNCTIONS OF LITERATURE. 2017
- “Lesbian Invisibility and the Politics of Representation of the Lady and the Humble Servant in Sarah Waters’ Affinity”. Onega Jaén, Susana. THE HUMBLE IN 19TH- TO 21ST-CENTURIES BRITISH LITERATURE AND ARTS. 2017
- Jean-Michel Ganteau and Susana Onega. Introduction. VICTIMHOOD AND VULNERABILITY IN 21ST CENTURY FICTION. 2017
- Susana Onega, Constanza del Río, Maite Escudero-Alías. Conclusion. TRAUMATIC MEMORY AND THE ETHICAL, POLITICAL AND TRANSHISTORICAL FUNCTIONS OF LITERATURE. 2017
- Susana Onega, Constanza del Río, Maite Escudero-Alías. Introduction. TRAUMATIC MEMORY AND THE ETHICAL, POLITICAL AND TRANSHISTORICAL FUNCTIONS OF LITERATURE. 2017
- Susana Onega. Class Trauma, Shame and Spectrality in Sarah Waters's The Little Stranger. TRAUMATIC MEMORY AND THE ETHICAL, POLITICAL AND TRANSHISTORICAL FUNCTIONS OF LITERATURE. 2017
- Susana Onega. Narrative form, memory frictions and the revelation of traumatic secrets in Toni Morrison's home. MEMORY FRICTIONS IN CONTEMPORARY LITERATURE. 2017
- Susana Onega. Traumatic memory, shame, and the artistic representation of the Shoah. EXPLORING TEXT, MEDIA AND MEMORY. 2017
- Susana Onega. Vulnerable ethics and politics: Peter Ackroyd's rhetoric of excess and indirection in The Lambs of London. VICTIMHOOD AND VULNERABILITY IN 21ST CENTURY FICTION. 2017
- Loss, Melancholy and Memory in W. G. Sebald’s The Emigrants. Onega, Susana. REPRESENTATIONS OF MOURNING, NOSTALGIA AND MELANCHOLIA IN CONTEMPORARY ANGLOPHONE FICTION. 2014
- Jean-Michel Ganteau and Susana Onega. Introduction: Performing the Void: Liminality and the Ethics of Form in Contemporary Trauma Narratives. CONTEMPORARY TRAUMA NARRATIVES: LIMINALITY AND THE ETHICS OF FORM. 2014
- Susana Onega. Hybridity, montage, and the rhetorics and ethics of suffering in Anne Michaels's "Fugitive pieces". CONTEMPORARY TRAUMA NARRATIVES: LIMINALITY AND THE ETHICS OF FORM. 2014
- Susana Onega. The trauma of anthropocentrism and the reconnection of self and world in J. M. Coetzee's "Dusklands". TRAUMA IN CONTEMPORARY LITERATURE: NARRATIVE AND REPRESENTATION. 2014
- Of Friends, Enemies and Neighbours: Political Theology and the Ethics of Alterity in Jeanette Winterson’s Oranges Are Not the Only Fruit. Onega Jaén, Susana. ETHICS OF ALTERITY: CONFRONTATION AND RESPONSIBILITY IN 19TH- TO 21ST-BRITISH LITERATURE. 2013
- Susana Onega. "The Aristos" and "Wormholes": John Fowles's theory of being and art. JOHN FOWLES. 2013
- Portraits of the Artist in the Novels of Jeanette Winterson. Onega Jaén, Susana. PORTRAITS OF THE ARTIST AS A YOUNG THING IN BRITISH, IRISH AND CANADIAN FICTION AFTER 1945. 2012
- Introduction. Gantearu, Jean-Michel; Onega Jaén, Susana. ETHICS AND TRAUMA IN CONTEMPORARY BRITISH FICTION. 2011
- Trauma, Shame and Ethical Responsibility in J. M. Coetzee’s Waiting for the Barbarians. Onega Jaén, Susana. OTHER PEOPLE’S PAIN: NARRATIVES OF TRAUMA AND THE QUESTION OF ETHICS. 2011
- “Family Traumas and Serial Killing in Peter Ackroyd’s Dan Leno and the Limehouse Golem. Onega Jaén, Susana. NEO-VICTORIAN FAMILIES: GENDER, SEXUAL AND CULTURAL POLITICS. 2011
- Susana Onega. The trauma paradigm and the ethics of affect in Jeanette Winterson's "The Stone Gods". ETHICS AND TRAUMA IN CONTEMPORARY BRITISH FICTION. 2011
- Susana Onega. Trauma, madness and the ethics of narration in J.M. Coetzee's "In the Heart of the country". THE SPLINTERED GLASS: FACETS OF TRAUMA IN THE POST-COLONY AND BEYOND. 2011
- Ethics, Trauma and the Contemporary British Novel. Onega Jaén, Susana. LITERATURE AND VALUES. LITERATURE AS A MEDIUM FOR REPRESENTING, DISSEMINATING AND CONSTRUCTING NORMS AND VALUES. 2009
- The Ethics of Fiction: Writing, Reading and Representation in Contemporary Narrative in English. A Research Project Susana Onega. LITERATURES IN ENGLISH: PRIORITIES OF RESEARCH. 2008
- “Reescrituras del mito del doble en la novela inglesa contemporánea”. Onega Jaén, Susana. LA REESCRITURA DE LOS MITOS EN LAS OBRAS LITERARIAS. ESTUDIOS DE MITOCRÍTICA Y DE LITERATURA COMPARADA. 2008
- “The Ethics of Fiction: Writing, Reading and Representation in Contemporary Narrative in English. A Research Project”. Onega Jaén, Susana. LITERATURES IN ENGLISH. PRIORITIES OF RESEARCH. 2008
- Susana Onega. Reescrituras del mito del doble en la novela inglesa contemporánea. REESCRITURAS DE LOS MITOS EN LA LITERATURA: ESTUDIOS DE MITOCRÍTICA Y DE LITERATURA COMPARADA. 2008
- Susana Onega. The nightmare of history, the value of art and the ethics of love in Julian Barnes's "A history of the world in 10 1/2 chapters". ETHICS IN CULTURE: THE DISSEMINATION OF VALUES THROUGH LITERATURE AND OTHER MEDIA. 2008
- Susana Onega. Introduction. THE ETHICAL COMPONENT IN EXPERIMENTAL BRITISH FICTION SINCE THE 1960S. 2007
- Susana Onega. The ethics of narrative form in A. S. Byatt's "Babel Tower". NARRATIVE AND MEDIA. 2007
- Susana Onega. Structuralism and narrative poetics. LITERARY THEORY AND CRITICISM: AN OXFORD GUIDE. 2006
- Introduction. Annette Gomis. GEORGE ORWELL: A CENTENARY CELEBRATION. 2005
- Introduction. Christian Gutleben. REFRACTING THE CANON IN CONTEMPORARY LITERATURE AND FILM. 2004
- Memory, Imagination and the World of Art in Jeanette Winterson’s Art & Lies. Susana Onega. MEMORY, IMAGINATION AND DESIRE IN CONTEMPORARY ANGLO-AMERICAN LITERATURE AND FILM. 2004
- Susana Onega. Memory, imagination and the world of art in Jeanette Winterson's Art & Lies (1994). MEMORY, IMAGINATION, AND DESIRE IN CONTEMPORARY ANGLO-AMERICAN LITERATURE AND FILM. 2004
- Susana Onega Jaén. The descent to the underworld and the transition from ego to "Eidos" in the novels of Peter Ackroyd. BEYOND BORDERS: RE-DEFINING GENERIC AND ONTOLOGICAL BOUNDARIES. 2002
- Susana Onega. Introduction. LONDON IN LITERATURE: VISIONARY MAPPINGS OF THE METROPOLIS. 2002
- Susana Onega. John Fowles. AN INTRODUCTION TO LINGUISTICS. 2002
- Susana Onega. Peter Ackroyd. AN INTRODUCTION TO LINGUISTICS. 2002
- Susana Onega. The Plato Paper: Peter Ackroyd's 'Contrary' to Blake's Jerusalem. LONDON IN LITERATURE: VISIONARY MAPPINGS OF THE METROPOLIS. 2002
- Susana Onega. The visionary element in the contemporary London novel: the case of Ianin Sinclair and Peter Ackroyd. SYMBOLISM: AN INTERNATIONAL JOURNAL OF CRITICAL AESTHETICS. 2002
- Arte, natura e visione in The Collector e ‘The Ebony Tower’ di John Fowles. Susana Onega. LITERATURA E ARTI VISIVE NEL VENTESIMO SECOLO. 2001
- Peter Ackroyd (Fascículo monográfico). Luc Herman. POST-WAR LITERATURES IN ENGLISH: A LEXICON OF CONTEMPORARY AUTHORS NO. 51. 2001
- The Descent to the Underworld and the Transition from Ego to Eidos in the Novels of Peter Ackroyd. Susana Onega. BEYOND BORDERS: RE-DEFINING GENERIC AND ONTOLOGICAL BOUNDARIES. 2001
- Intertextualidad ¿Préstamo, plagio, influencia... o algo más?. Mª Jesús Martínez Alfaro, Marita Nadal Blasco y Constanza del Río. PROCEEDINGS OF THE 22ND INTERNATIONAL CONFERENCE OF AEDEAN. 2000
- Carmen Olivares Rivera, Susana Onega Jaén. La trayectoria personal y profesional de Benno Hübner. BENNO HÜBNER, FILÓSOFO Y AMIGO: ITINERARIO DE UN PENSAMIENTO. 1999
- Susana Onega. "The body/text" as lesbian signifier in Jeanette Winterson's "Written on the body". MARGINS IN BRITISH AND AMERICAN LITERATURE, FILM AND CULTURE. 1997
- Susana Onega. La intertextualidad: concepto, tipos e implicaciones teóricas. INTERTEXTUALITY = INTERTEXTUALIDAD. 1997
- Introduction. José Ángel García Landa. NARRATOLOGY. AN INTRODUCTION. LONGMAN CRITICAL READERS. 1996
- Jeanette Winterson’s Politics of Uncertainty in Sexing the Cherry. Susana Onega. GENDER ISSUES IN LITERATURE AND FILM. 1996
- Susana Onega. Jeanette Winterson's Politics of Uncertainty in "Sexing the Cherry". GENDER, I-DEOLOGY ESSAYS ON THEORY, FICTION AND FILM. 1996
- Conclusion” to Form and Meaning in the Novels of John Fowles (reimpresión). CONTEMPORARY LITERARY CRITICISM. 1995
- Susana Onega. "A knack for yarns": the narrativization of history and the end of history". TELLING HISTORY: NARRATIVIZING HISTORY, HISTORICIZING LITERATURE. 1995
- Susana Onega. "I'm telling you stories. Trust me": history/story-telling in Jeanette Winterson's "Oranges are not the only fruit". TELLING HISTORY: NARRATIVIZING HISTORY, HISTORICIZING LITERATURE. 1995
- Susana Onega. British historiographic metafiction. METAFICTION. 1995
- Susana Onega. Laberintos de pasión: las fantasías narrativas de Jeanette Winterson. ABANICOS EX-CÉNTRICOS: ENSAYOS SOBRE LA MUJER EN LA CULTURA POSMODERNA. 1995
- Historia y literatura. Francisco Collado, José Ángel García Landa y Ramón Pló. ACTAS DEL XVI CONGRESO DE AEDEAN. 1994
- I’m Telling You Stories, Trust me’: History/Storytelling in Jeanette Winterson’s Oranges Are Not the Only Fruit. Susana Onega. LOGOMACHIA. FORMS OF OPPOSITION IN ENGLISH LANGUAGE/LITERATURE. 1994
- Teoría y práctica de la metaficción. Francisco Collado y José Ángel García Landa. ACTAS DEL XV CONGRESO DE AEDEAN. 1993
- Susana Onega. British historiographic metafiction in the 1980's. BRITISH POSTMODERN FICTION. 1993
- Susana Onega Jaén. Empiricism and the "Scientia Umbrarum" in "Hawksmooor". SCIENCE, LITERATURE, AND INTERPRETATION: ESSAYS ON TWENTIETH-CENTURY LITERATURE AND CRITICAL THEORY. 1991
- Susana Onega. El sueño como evasión o, la recompensa de Evelina. STUDIA PATRICIAE SHAW OBLATA: QUINQUE MAGISTERII LUSTRIS APUD HISPANIAE UNIVERSITATES PERACTIS. 1991
- Susana Onega. Empiricism and the scientia umbrarum in Hawksmoor. SCIENCE, LITERATURE, AND INTERPRETATION: ESSAYS ON TWENTIETH-CENTURY LITERATURE AND CRITICAL THEORY. 1991
- Susana Onega. Transtextual games in "The Ebony Tower". MISCEL·LÀNIA HOMENATGE ENRIQUE GARCÍA DÍEZ. 1991
- The Impact of the Spanish Armada on Elizabethan Literature. Susana Onega. ENGLAND AND THE SPANISH ARMADA. 1990
- Fowles on Fowles: John Fowles interviewed by Susana Onega FORM AND MEANING IN THE NOVELS OF JOHN FOWLES. 1989
- 'Fowles on Fowles': John Fowles Interviewed by Susana Onega. Onega, Susana. ACTAS DEL X CONGRESO DE AEDEAN. 1988
- Susana Onega. Los aragoneses vistos por Shakespeare. ARAGÓN EN EL MUNDO. 1988
- Susana Onega. Las tradiciones cómicas en The Comedy of Errors. ESTUDIOS LITERARIOS INGLESES /SHAKESPEARE Y EL TEATRO DE SU ÉPOCA. 1987
- Susana Onega. España vista por un viajero inglés a mediados del siglo XVI. ESTUDIOS EN HOMENAJE AL DR. ANTONIO BELTRÁN MARTÍNEZ. 1986
- Susana Onega. Prosa inglesa antiespañola en la segunda mitad del siglo XVI. ESTUDIOS LITERARIOS INGLESES /RENACIMIENTO Y BARROCO. 1986
- Susana Onega. Poesía épica anglo-sajona: Beowulf. ESTUDIOS LITERARIOS INGLESES /EDAD MEDIA. 1985
- Lawrence Lajohn, [traducción de Susana Onega Jaén]. El surrealismo en el teatro de Azorín. EL SURREALISMO. 1982
Proyectos
- H03_23R: Narrativa contemporánea en legua inglesa. 01/01/23 - 31/12/25
- H03_20R: Narrativa Contemporánea En Lengua Inglesa. 01/01/20 - 31/12/22
- JIUZ-2019-HUM-02: ¿NUEVOS FEMINISMOS EN LA ERA TRANSMODERNA?: TENDENCIAS EN LA NARRATIVA CONTEMPORÁNEA EN LENGUA INGLESA. 01/01/20 - 31/12/20
- JIUZ-2017-HUM-02: LA REPRESENTACIÓN DEL TRAUMA Y LA CRISIS DE IDENTIDAD EN LA NARRATIVA GENÉRICA FÍLMICA Y LITERARIA DEL SIGLO XXI. 01/01/18 - 31/12/18
- “Literature in the Transmodern Era: Celebration, Limits and Transgression”. 01/01/18 - 31/12/21
- NARRATIVA CONTEMPORÁNEA EN LENGUA INGLESA. 01/01/17 - 31/12/19
- 40th AEDEAN CONFERENCE / XL CONGRESO INTERNACIONAL DE LA ASOCIACIÓN ESPAÑOLA DE ESTUDIOS ANGLO-NORTEAMERICANOS (AEDEAN). 01/10/16 - 30/09/17
- FFI2015-65775-P: CONOCIMIENTO PALIMPSÉSTICO: INVESTIGACIONES SOBRE UN PARADIGMA LITERARIO TRANSMODERNO. 01/01/16 - 30/09/18
- GRUPO CONSOLIDADO H05 NARRATIVA CONTEMPORÁNEA EN LENGUA INGLESA. 01/01/16 - 31/12/16
- GRUPO CONSOLIDADO H05 NARRATIVA CONTEMPORÁNEA EN LENGUA INGLESA. 01/01/15 - 31/12/15
- GRUPO CONSOLIDADO H05 NARRATIVA CONTEMPORÁNEA EN LENGUA INGLESA. 01/01/14 - 31/12/14
- FFI2012-32719: EL TRAUMA Y SU SUPERACIÓN: RETÓRICA Y POLÍTICA DEL SUFRIMIENTO EN LA NARRATIVA CONTEMPORÁNEA EN LENGUA INGLESA. 01/01/13 - 30/06/16
- GRUPO CONSOLIDADO H05 NARRATIVA CONTEMPORÁNEA EN LENGUA INGLESA. 01/01/13 - 31/12/13
- FFI2010-11753-E MAS ALLÁ DEL TRAUMA: NARRATIVAS DE (IM)POSIBILIDAD. 01/03/11 - 29/02/12
- GRUPO CONSOLIDADO H05 NARRATIVA CONTEMPORANEA EN LENGUA INGLESA. 01/01/11 - 31/12/12
- FMI021/09.- HERRERO GRANADO, Mª DOLORES.ESTANCIA EN LA FACULTAD DE ARTES CREATIVAS DE LA UNIVERSIDAD DE WOLLONGONG (AUSTRALIA). 01/01/10 - 31/12/10
- FFI2008-04334-E. ENTRE "LA URGENCIA POR SABER" Y LA "NECESIDAD DE NEGAR": ETICA Y TRAUMA EN LA NARRATIVA CONTEMPORANEA EN LENGUA INGLESA. 22/02/09 - 22/05/09
- GRUPO EXCELENTE H05 NARRATIVA CONTEMPORÁNEA EN LENGUA INGLESA. 01/01/08 - 31/12/10
- HUM2007-61035/FILO. ÉTICA Y TRAUMA EN LA FICCIÓN CONTEMPORÁNEA EN LENGUA INGLESA. 01/10/07 - 30/09/12
- IX JORNADAS DE LITERATURA CONTEMPORANEA EN LENGUA INGLESA:THE ETHICS OF FICTION IN CONTEMPORARY NARRATIVE IN ENGLISH. 01/01/06 - 29/11/12
- GRUPO CONSOLIDADO H05 NARRATIVA CONTEMPORANEA EN LENGUA INGLESA. 01/01/05 - 31/12/07
- PT2004-HUM-02. VI PERSONAL TECNICO. 01/01/05 - 31/12/05
- DOTACIÓN ADICIONAL 2004. HUM2004-00344. 13/12/04 - 31/12/12
- HUM2004-00344. LA ÉTICA DE LA FICCIÓN: ESCRITURA, LECTURA E INTERPRETACIÓN EN LA NARRATIVA CONTEMPORANEA EN LENGUA INGLESA. 13/12/04 - 12/12/07
- BFF2002-12309-E. VII CONGRESO INTERNACIONAL DE LA EUROPEAN SOCIETY FOR THE STUDY OF ENGLISH (ESSE). 08/09/04 - 12/09/04
- VI CONGRESOS 2003. 7º CONGRESO INTERNACIONAL DE LA ASOCIACIÓN EUROPEA DE ESTUDIOS INGLESES (EUROPEAN SOCIETY FOR THE STUDY OF ENGLISH, ESSE). 15/03/04 - 31/12/24
- BFF2001-5249-E. LONDON IN LITERATURE: VISIONARY MAPPINGS OF THE METROPOLIS. 03/07/03 - 02/07/04
- VI CONGRESOS 2002. ORWELL IN SPAIN: A CENTENARY CELEBRATION. 17/02/03 - 31/12/03
- BFF2002-10422-E. SIMPOSIO ORWEL IN SPAIEN: A CENTENARY CELEBRATION. 01/01/03 - 31/12/04
- GRUPO CONSOLIDADO H05 NARRATIVA CONTEMPORANEA EN LENGUA INGLESA. 01/01/03 - 31/12/04
- VI 2002 INVESTIGADORES EXCELENCIA. MILLER, J. HILLIS. 01/01/03 - 31/12/03
- BFF2001-1775. LA DIALECTICA PREFIGURACION/RETROSPECCION EN LA NARRATIVA CONTEMPORANEA EN LENGUA INGLESA. 28/12/01 - 27/06/05
- DOTACION ADICIONAL 2001. BFF2001-1775. 28/12/01 - 27/12/04
- PB97-1022 EL INTERTEXTO POSTMODERNO:HERMENAÚTICA CULTURAL DE LA NARRATIVA ANGLO-NORTEAMERICANA A FINALES DEL SIGLO XX. 01/10/98 - 01/10/01
Contratos
- Narrativa Contemporánea En Lengua Inglesa (Retorno UZ). 17/11/08 - 31/12/25
- GENDER ISSUES IN CONTEMPORANY LITERATURE AND FILM. 01/01/70 - 31/12/12
- TERCERAS JORNADAS DE LITERATURA CONTEMPORANEA EN LENGUA INGLESA:HISTORIA Y LIT. 01/01/70 - 31/12/12
Dirección de tesis
- ORDINARY LIVES IN EXTRAORDINARY TIMES.
THE REPRESENTATION OF MEMORY, TRAUMA AND HISTORICAL AGENCY IN RACHEL SEIFFERT¿S NOVELS. Universidad de Zaragoza. Sobresaliente cum laude. 09/04/24
- A Palimpsestuous Reading of Sarah Waters¿s Neo-Victorian Fiction. Universidad de Zaragoza. Sobresaliente cum laude. 05/10/22
- A Reassessment of Patrick Hamilton's inter-war novels: Narrative techniques, Social Realism and Trauma. Universidad de Zaragoza. Sobresaliente cum laude. 04/04/17
- The contemporary imagination: Ethics and Aesthetics in John Banvilles Art Trilogy (1989-1995). Universidad de Zaragoza. Sobresaliente "Cum Laude". 30/10/15
- The Iconical Discourse Community, the Narrative Iconical Subgenres and the Trauma Graphic Novel in English. Universidad de Zaragoza. Apto cum laude. 11/12/12
- Writing and Self-healing: The Representation of Trauma in Eva Figes' Winter Journey, Konek Landing. LIttle Eden, Tales of Innocence and Experience, and Journey to Nowhere. Universidad de Zaragoza. Sobresaliente cum laude. 08/03/12
- The Redefinition of Scottish Identity and the Relation Self-Other(s) in the Fiction of Brian Mccabe. Universidad de Zaragoza. Sobresaliente cum laude. 29/06/10
- Identity and Intertextuality in Alan Hollinghurst's Novels. Universidad de Zaragoza. Sobresaliente "Cum Laude". 24/06/09
- Form and Meaning in Dorothy M. Richardson's Pilgrimage: A Critical Reassessment. Universidad de Zaragoza. Sobresaliente "Cum Laude". 13/05/05
- Recurrent structural &thematic traits Jeanette Uruterson's the Passion and Sexcuy the Cherry: Time space and the construction ytdentiy. Universidad de Zaragoza. Sobresaliente "Cum Laude". 31/03/03
- Narrative strategies in Charles Palliser's "The Quincunx", "The Sensationist" and "Betrayals". Universidad de Zaragoza. Sobresaliente "Cum Laude". 27/01/03
- TEXTUALITY AS STRIPTEASE: THE DISCOURSES OF INTIMACY IN DAVID LODGE'S CHANGING PLACES AND SMALL WORLD. Universidad de Zaragoza. Sobresaliente "Cum Laude". 26/01/01
- Form and ideology in flann o`brien`s at swim-two-birds and the third policeman. Universidad de Zaragoza. Apto cum laude. 07/11/96
- La estructura simbólica en "Hawksmoor y First Light". Universidad de Zaragoza. Apto cum laude. 03/10/95
- Estructura mítica en The Avignon Quintet: unidad y fragmentación. Universidad de Zaragoza. Apto cum laude 12/07/92
- Constantes temáticas y estructurales en las novelas tempranas de William Golding. Universidad de Zaragoza. Apto cum laude 28/09/90
- El concepto del amor en The Songs and Sonnets, de John Donne. Universidad de Zaragoza. Apto cum laude 19/12/89
- El relato en la trilogía de Beckett Molloy, Malone Dies y The Unnamable. Universidad de Zaragoza. Apto cum laude 19/12/88
- Utilitarianism and The Pauper Problem as Reflected in Harriet Martineau's Poor Law Tales: Background, Motives, Method and Impact. Universidad de Zaragoza. Sobresaliente cum laude. 29/05/87
Dirección de proyectos fin de grado
- An Analysis of Virginia Woolf's Experimentalism in The Waves. Universidad de Zaragoza. Notable. 02/10/18
- The Mythical Hero's Quest in Jeanette Winterson's The Passion. Universidad de Zaragoza. Notable. 11/07/18
- Empiricism, the Scientia Umbrarum and the Reconciliation of the Two Cultures in Peter Ackroyd¿s Hawksmoor. Universidad de Zaragoza. Notable. 17/07/17
- Defeating Patriarchy: Feminist Traits in Angela Carter's "The Bloody Chamber". Universidad de Zaragoza. Aprobado. 17/07/17
- Analysing ¿The Bloody Chamber¿: An Allegory for a Feminism on the Crossroads. Universidad de Zaragoza. Sobresaliente. 13/07/17
- The Merciless Violence of the Super-ego: A Freudian Anlisys of Ian McEwan's The Comfort of Strangers. Universidad de Zaragoza. Notable. 13/07/16
- Addicted to the Twentieth Century: A Study of Martin Amis' Money: A suicide Note. Universidad de Zaragoza. Notable. 13/07/16
- John Fowles's Aesthetics of frustration in "The Ebony Tower". Universidad de Zaragoza. Matrícula de honor. 13/07/16
- "In Her Own Right": Narrative Voice and Ideology in Angela Carter's "The Bloody Chamber". Universidad de Zaragoza. Notable. 21/12/15
- Perpetrator Trauma, haunting and Shame in Rachel Seiffert's The Dark Room. Universidad de Zaragoza. Notable. 09/07/15
Dirección de proyectos fin de master
- The Paroxysm of Exhaustion: A Study of will self's Dorian: An imitation (2002). Universidad de Zaragoza. Notable. 19/12/17
- Towards a Transmodern Reading of David Mitchell's Ghostwritten: Intertextuality, Chance, Fate and the Aesthetics of Endless Potentiality. Universidad de Zaragoza. Matrícula de honor. 19/12/17
- Reclusión y encierro en Affinity de Sarah Waters: La función del diario, la mirada panóptica y el fantasma lésbico. Universidad de Zaragoza. Matrícula de honor. 25/10/16
- Escuchando al pasado en el silencio de una casa vacia. Trauma, pérdida y maternidad en Lost Children de Maggie Gee. Universidad de Zaragoza. Notable. 07/10/16
- From Victim to Victimiser: The Representation of Individual Trauma in Patrick Hamilton`s Hangover Square. Universidad de Zaragoza. Sobresaliente. 10/12/12
- The Bible and Biblical debate in Jeanette Winterson's Oranges Are Not the Only Fruit. Universidad de Zaragoza. Sobresaliente. 10/12/12
Participaciones en congresos
- 40th AEDEAN Conference. Organizativo - Comité científico y organizador. Huesca. 09/11/16
- 39th AEDEAN Conference. Participativo - Otros. “Writing from the Margins: Ethics, Form, and Liminal Identities in Contemporary Narratives in English”. Bilbao. 11/11/15
- Memory Frictions: Conflict, Negotiation, Politics. Participativo - Ponencia oral (comunicación oral). "Pan Am Flight 103: Trauma and the Crave for Justice. james Robertson's The Professor of Truth". Zaragoza. 06/05/15
- Programa europeo FP7-PEOPLE “Researchers Night 2011”. Participativo - Ponencia oral (comunicación oral). “La teoría del trauma y sus discursos en la narrativa anglo-norteamericana contemporánea”. Zaragoza. 23/09/11
UNIZAR teaching of the last six courses
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