Artículos
- Azcona, María del Mar. The Trickster and the Fool: Matt Damon and Comedy. QUARTERLY REVIEW OF FILM AND VIDEO. 2023. DOI: 10.1080/10509208.2021.2010490
- Azcona, María del Mar; Deleyto, Celestino. Brief encounter: Matt Damon in Marseille. TRANSNATIONAL SCREENS. 2023. DOI: 10.1080/25785273.2023.2260240
- Deleyto, C; Azcona, Md. The texture of the age: Digital construction of unbounded Space in Birdman (Inarritu 2014). STUDIES IN SPANISH & LATIN AMERICAN CINEMAS. 2021. DOI: 10.1386/slac_00037_1
- Azcona Montoliu, María Mar. Matt Damon: a cosmopolitan hero for the mainstream. CELEBRITY STUDIES. 2019. DOI: 10.1080/19392397.2018.1445536
- Azcona, M. D. M. ‘Don’t Stop Me Now’: Mobility and Cosmopolitanism in the Bourne Saga. MOBILITIES. 2016. DOI: 10.1080/17450101.2014.957014
- Azcona Montoliu, Mar. "We are all uxbal": Narrative complexity in the urban borderlands in biutiful. JOURNAL OF FILM AND VIDEO. 2015. DOI: 10.1353/jfv.2015.0000
- Azcona Montoliu, María Mar. Beyond the Myth: New Perspectives on Western Texts. ATLANTIS-JOURNAL OF THE SPANISH ASSOCIATION OF ANGLO-AMERICAN STUDIES. 2013
- Azcona Montoliu, María del Mar. The Boy Next Door: Transnational Identity in Gran Tornio. TRANSNATIONAL CINEMAS. 2013
- Azcona Montoliu, María Mar. Spaces of Sincerity and Deception: The Representation of Desire in Cesc Gay's En la Ciudad y Ficción. HISPANIC RESEARCH JOURNAL. 2009. DOI: 10.1179/174582009X433194
- Azcona Montoliu, María del Mar. A time to love and a time to die: Desire and narrative structure in "21 Grams". ATLANTIS-JOURNAL OF THE SPANISH ASSOCIATION OF ANGLO-AMERICAN STUDIES. 2009
- Azcona Montoliu, María Mar. Love is a many person'd yhing: Multi-protagonist films of contemporary desire. BELLS. BARCELONA ENGLISH LANGUAGE AND LITERATURE STUDIES. 2008
- Azcona Montoliu, María Mar. La comedia gamberra coral. Descripciones de una comunidad adolescente hormonalmente alterada. SECUENCIAS. 2006
- Azcona Montoliu, María Mar; Luzón Aguado, Virginia; Tarancón, Juan. In the Name of the Public: An Ethnographic Approach to the Tastes and Habits of Film Audiences. MISCELÁNEA (ZARAGOZA). 2005
- Azcona Montoliu, María Mar. Making sense of a multi-protagonist film: Audience Response Research and Robert Altman's Short Cuts (1993). MISCELÁNEA (ZARAGOZA). 2005
- Deleyto, Celestino;Cornut-Gentille D'arcy, Chantal;García Mainar, Luis Miguel;Luzón, Virginia;Stacconi, Monica;Tarancón, Juan A.;Mar Azcona, María del. Forget Your Troubles and Be Happy': una aproximación etnográfica a la ideología del entretenimiento en el cine estadounidense contemporáneo. ATLANTIS-JOURNAL OF THE SPANISH ASSOCIATION OF ANGLO-AMERICAN STUDIES. 2002
Libros
- Cosmopolitan Aspirations in Contemporary Cinema. Azcona, María del Mar; Echeverría, Julia; Gómez-Muñoz, Pablo (editors). 2025
- María del Mar Azona and Celestino Deleyto. Before sunrise: young love on the move. 2023
- Celestino Deleyto and María del Mar Azcona. Alejandro González Iñárritu. 2010
- edited by María del Mar Azcona and Celestino Deleyto. Generic attractions: new essays on film genre criticism. 2010
- María del Mar Azcona. The multi-protagonist film. 2010
Capítulos
- The End of the Hollywood Hero: Dr T and the Women and Altman's Multi-Protagonist Narratives. Azcona Montoliu, María Mar. THE ROBERT ALTMAN COMPANION. 2015
- A Cinema of Plenty: Robert Altman and the Multi-Protagonist Film. Azcona Montoliu, María Mar. ROBERT ALTMAN: CRITICAL ESSAYS. 2011
- Precarious Teleologies: New Endings for a New Genre. Azcona Montoliu, María Mar. HAPPY ENDINGS AND FILMS. 2010
- María del Mar Azcona. A genre is born: the multi-protagonist film in action. GENERIC ATTRACTIONS: NEW ESSAYS ON FILM GENRE CRITICISM. 2010
- The Global And The Local. The Reception Of U.S.American Cinema In Aragón. Azcona Montoliu, María Mar; Oliete Aldea, Elena. CULTURE AND POWER. CULTURE AND SOCIETY IN THE AGE OF GLOBALISATION. 2005
- The Global and the Local: The Reception of US American Movies in Aragon. Azcona, María del Mar; Oliete Aldea, Elena; Seco Salvador, Olga. CULTURE & POWER : CULTURE AND SOCIETY IN THE AGE OF GLOBALISATION. 2005
- From the 1980s until Now: the Persistence of Slasher Movies. Azcona Montoliu, María Mar. MEMORY, IMAGINATION AND DESIRE IN CONTEMPORARY ANGLO-AMERICAN LITERATURE AND FILM. 2004
- María del Mar Azcona. From the 1980s until now: the persistence of Slasher movies. MEMORY, IMAGINATION, AND DESIRE IN CONTEMPORARY ANGLO-AMERICAN LITERATURE AND FILM. 2004
Proyectos
- H23_23R: Cine, cultura y sociedad (CCS). 01/01/23 - 31/12/25
- PID2021-123836NB-I00: Del espacio social al espacio cinematográfico: Mise-en-scènes de lo transnacional en el cine contemporáneo. 01/09/22 - 31/08/25
- COSMOPOLITAN ASPIRATIONS IN ENGLISH-SPEAKING CINEMA AND TELEVISIÓN. 19/02/20 - 31/12/21
- H23_20R: Cine, Cultura Y Sociedad (CCS). 01/01/20 - 31/12/22
- FFI2017-83606-P: ENTRE LA UTOPÍA Y EL ARMAGEDÓN: LOS ESPACIOS DEL COSMOPOLITISMO EN EL CINE CONTEMPORÁNEO. 01/01/18 - 30/09/22
- GRUPO DE REFERENCIA CINE, CULTURA Y SOCIEDAD (CCS). 01/01/17 - 31/12/19
- GRUPO CONSOLIDADO H12 CINE, CULTURA Y SOCIEDAD. 01/01/16 - 31/12/16
- GRUPO CONSOLIDADO H12 CINE, CULTURA Y SOCIEDAD. 01/01/15 - 31/12/15
- FFI2013-43968-P: DE LO TRANSNACIONAL A LO COSMOPOLITA: METODOLOGÍA PARA EL CINE CONTEMPORÁNEO. 01/01/14 - 31/12/17
- GRUPO CONSOLIDADO H12 CINE, CULTURA Y SOCIEDAD. 01/01/14 - 31/12/14
- GRUPO CONSOLIDADO H12 CINE, CULTURA Y SOCIEDAD. 01/01/13 - 31/12/13
- FFI2010-15312.HUMPTY DUMPTY ON THE WALL: TRANSNACIONALISMO Y FRONTERA EN EL CINE CONTEMPORANEO. 01/01/11 - 31/12/14
- GRUPO CONSOLIDADO H12 CINE, CULTURA Y SOCIEDAD. 01/01/11 - 31/12/12
- GRUPO CONSOLIDADO H12 CINE, CULTURA Y SOCIEDAD. 01/01/08 - 31/12/10
- VI MOVILIDAD 2007. 01/01/08 - 31/12/08
- HUM2007-61183/FILO HIBRIDACIÓN GENÉRICA Y SOCIEDAD EN EL CINE ESTADOUNIDENSE Y BRITÁNICO: CARTOGRAFÍA DEL DISCURSO CULTURAL. 01/10/07 - 30/09/10
- GRUPO CONSOLIDADO H12 CINE, CULTURA Y SOCIEDAD. 01/01/05 - 31/12/07
- HUM2004-00418. GENERO, IDEOLOGÍA Y CULTURA EN EL CINE ESTADOUNIDENSE Y BRITANICO. 13/12/04 - 12/12/07
- GRUPO EMERGENTE H12 CINE, CULTURA Y SOCIEDAD. 01/01/03 - 31/12/04
- BFF2001-2564. GENERO, REALISMO Y SOCIEDAD EN EL CINE BRITANICO Y ESTADOUNIDENSE DE LOS OCHENTA Y NOVENTA. 28/12/01 - 27/12/04
Dirección de tesis
- WOMEN ON THE MOVE: THE REPRESENTATION OF MOBILE PROFESSIONAL WOMEN IN TWENTY-FIRST CENTURY CINEMA. Universidad de Zaragoza. Sobresaliente cum laude. 11/05/23
- COSMOPOLITANISM AND INCLUSIVE EDUCATION THROUGH 21ST - CENTURY DISNEY FILMS. Universidad de Zaragoza. Sobresaliente. 20/05/21
- The Rebirth of Utopia in 21st-century Cinema: Cosmopolitan Hopes in the Films of Globalisation. Universidad de Zaragoza. Sobresaliente cum laude. 02/09/20
- The Viral Screen: Viruses, Zombies, and Infectious Diseases in Post-Millennial Films. Universidad de Zaragoza. Sobresaliente cum laude. 14/09/17
Dirección de proyectos fin de grado
- ¿Wish we could¿ve Stayed for Longer¿: Fatherhood and Masculinity through the Eyes of the Daughter in Aftersun (2022). Universidad de Zaragoza. Matrícula de honor. 24/06/24
- Lost in Japan: A Cosmopolitan Analysis of the Encounter with the Other in Lost in Translation. Universidad de Zaragoza. Sobresaliente. 13/06/24
- Men of False Grit: Masculinity and Parody in Joel and Ethan Coen¿s True Grit (2010). Universidad de Zaragoza. Sobresaliente. 19/06/23
- Promising Young Woman: A Modern Take on Rape-Revenge Films. Universidad de Zaragoza. Sobresaliente. 19/06/23
- "Axis America. The Dusk of Democracy": National Identity in Batman v Superman: Dawn of Justice (2016). Universidad de Zaragoza. Sobresaliente. 19/06/23
- ¿Keep trying. I think you¿ll make it¿: The Representation of the Professional Career Woman in Lover Come Back (1961). Universidad de Zaragoza. Sobresaliente. 01/07/22
- Masculinidad y la Mirada Femenina en la Saga Crepúsculo. Universidad de Zaragoza. Notable. 01/07/22
- Political Correctness: how the U.S. Right Changed its Identity. Universidad de Zaragoza. Notable. 23/11/21
- ¿My baby shot me down¿: Gender Violence and Survival Energy in Quentin Tarantino¿s Kill Bill (2003, 2004). Universidad de Zaragoza. Sobresaliente. 12/07/21
- Starving Herself to Feed the Male Ego: Amy Dunne in Gone Girl (David Fincher, 2014) as the Contemporary Femme Fatale. Universidad de Zaragoza. Sobresaliente. 02/07/21
- "We redid the house": postfeminism, screwball comedy and gender roles in Mr. and Mrs. Smith (2005). Universidad de Zaragoza. Notable. 02/07/21
- "I¿m not a princess": Moana¿s Ecofeminist Heroine. Universidad de Zaragoza. Notable. 17/09/20
- "Hell is a Teenage Girl": female monstrosity in Jennifer's Body. Universidad de Zaragoza. Matrícula de honor. 22/07/20
- The Hypermodern Woman: female characters and technology in Black Mirror¿s ¿Nosedive¿. Universidad de Zaragoza. Notable. 06/07/20
- Beyond Traditional Herstory: Furiosa in Mad Max: Fury Road (George Miller, 2015). Universidad de Zaragoza. Sobresaliente. 06/07/20
- "Battle is the great redeemer": narrative structure and William Cage's Journey towards Masculinity in "Edge of Tomorrow". Universidad de Zaragoza. Notable. 06/07/20
- Here's to the fools who dream": La La Land as a Reinterpretation of the Classical Musical Genre. Universidad de Zaragoza. Sobresaliente. 11/07/19
- She's a little blood-spattered angel": The portrayal of Beatrix Kiddo in Kill Bill (2003-2004). Universidad de Zaragoza. Matrícula de honor. 11/07/19
- Breaking the Ice: Borders, Nations and Sorority in Frozen River (2008). Universidad de Zaragoza. Matrícula de honor. 10/07/19
- "Nick Loved a Girl I Was Pretending to Be: 'Cool Girl'": Narration and Ideology in David Fincher's Gone Girl (2014). Universidad de Zaragoza. Sobresaliente. 11/07/18
- 'City of Stars, Are You Shining Just for Me'': Individualism and Romance in La La Land (2016). Universidad de Zaragoza. Sobresaliente. 11/07/18
- Don't Step Across This Line: 'Little Men' as a Border Film. Universidad de Zaragoza. Matrícula de honor. 11/07/18
- "A Pink Girl in a Brown World": Neo-feminism in Legally Blonde (2001). Universidad de Zaragoza. Matrícula de honor. 05/10/17
- "Meet me in Montauk": Scrambled Narrative in Eternal Sunshine of the Spotless Mind (2004). Universidad de Zaragoza. Notable. 05/10/17
- It is a Woman's World: The Representation of Female Characters in Moana. Universidad de Zaragoza. Notable. 13/07/17
- An Old Story Anew': Maleficent's Redefinition of Romantic Love and Motherhood. Universidad de Zaragoza. Sobresaliente. 03/10/16
- I Love Summer, I Hate Summer: Scrambled Narrative and the Discourse of Intimacy in Marc Webb's (500) Days of Summer (2009). Universidad de Zaragoza. Matrícula de honor. 11/07/16
- Ingrid Bergman: Submission and Empowerment in George Cukor's gaslight (1944). Universidad de Zaragoza. Notable. 11/07/16
- "You think I'd let him destroy me and end up happier than ever' No fucking way": The Effects of the Patriarchal Backlash in David Fincher's Gone Girl. Universidad de Zaragoza. Notable. 11/07/16
- "Between Sisters": Female characters in Frozen (2013). Universidad de Zaragoza. Notable. 05/10/15
- Deconstructing Dude: Masculinity in Rio Bravo. Universidad de Zaragoza. Notable. 08/07/15
- Never-Ending 1-Ups: Video Game Influences in the Narrative of Edge of Tomorrow. Universidad de Zaragoza. Sobresaliente. 08/07/15
- The All-Seeing Eye Surveillance, The Watchful look and Militarization in State of Play. Universidad de Zaragoza. Notable. 08/07/15
- When the time is not right: An analysis of scrambled temporality and romantic love in (500) Days of Summer. Universidad de Zaragoza. Notable. 08/01/15
Dirección de proyectos fin de master
- Flying Solo: Mobility in Up in the Air. Universidad de Zaragoza. Sobresaliente. 06/10/17
- Use WASD Keys to Move: Mobility in Blackhat. Universidad de Zaragoza. Notable. 22/02/17
- "It's All about the Kids ": Borders and Female Friendship in Frozen River. Universidad de Zaragoza. Sobresaliente. 06/07/16
- "This Country Needs More Than a Building Right Now. It Needs Hope": Social Movements and V for Vendetta. Universidad de Zaragoza. Sobresaliente. 15/12/15
- My experience on teaching English. Universidad de Zaragoza. Aprobado. 24/09/15
- The Teaching-Learning process to become an EFL Teacher. Universidad de Zaragoza. Aprobado. 01/12/14
- "The what and the How: Meaningful Learning Facilitators". Universidad de Zaragoza. Sobresaliente. 30/06/14
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